Narration of Chpt 7 Essay

THE NARRATIVE IN THIS CHAPTER OPENS WITH HASSAN’S DREAM, IN WHICH WE SEE A POSITIVE AND NEGATIVE OMEN. IN THE DREAM, AMIR AND HASSAN ARE CELEBRATED AS HEROES WHICH IS A POSITIVE FORECAST FOR THE UPCOMING COMPETITION; HOWEVER, THE MONSTER â€Å"SWIMMING AT THE BOTTOM (OF THE LAKE), WAITING† FORESHADOWS THE MONSTROUS EVENT THAT IS ABOUT TO HAPPEN. THE DREAM JUXTAPOSES THE NIGHTMARE AMIR WILL WATCH AND HASSAN WILL EXPERI- ENCE LATER ON IN THE CHAPTER, THERE ARE MANY EXAMPLES OF JUXTAPOSITION IN THIS CHAPTER. THE BEAUTY OF THE DAY IS TARNISHED WITH THE UGLY INCIDENT, WINNING THE COMPETITION IS CONTRASTED WITH LOSING HIS FRIEND, THE SUN SHINING ON THE SNOW-WHITE DAY CLASHES WITH THE DARKNESS OF THE ALLEY, WHICH MEANS THE AUTHOR HERE IS ALSO USING PATHETIC FALLACY TO FURTHER INCREASE THE CONTRAST; ALL THE JUXTAPOSITION MAKES THE EVENT MORE DARK AND DIS- TURBING. WHEN HASSAN IS SHARING HIS DREAM WITH AMIR, AMIR IS ABRUPT TOWARDS HIM AND INTER- RUPTS HIS STORY, HE â€Å"ALMOST APOLOGISED, THEN DIDN’T. HASSAN UNDERSTOOD†, THIS IS AN INDI- CATOR OF THE SOCIETY AND CULTURE THEY LIVED IN, WHERE PASHTUN SUPERIORITY WAS THE AC- CEPTED NORM AND HAZARAS WERE CONSIDERED TO BE AN INFERIOR RACE. HASSAN KNOWS HIS PLACE AS THE SERVANT. LATER ON IN THE CHAPTER HASSAN BECOMES THE â€Å"SACRIFICIAL LAMB†, AMIR SAYS â€Å"I RAN BECAUSE I WAS A COWARD† BUT THEN TRIES TO CONVINCE HIMSELF HASSAN IS THE PRICE HE HAS TO PAY FOR BABA’S LOVE. AMIR’S DISMISSAL OF THE SITUATION IS UNUSUAL AS HE IS TYPICALLY MORE OPEN MINDED ABOUT HASSAN’S RACE, BUT IN THIS SITUATION HE THINKS TO HIMSELF â€Å"HE WAS JUST A HAZARA, WASN’T HE? †, THIS SHOWS HOW DEEP RACISM RUNS IN THE CULTURE. HOWEVER IT IS WORTH NOTING AMIR’S THOUGHTS ARE INTERTWINED WITH HIS NOW ADULT PERSPECTIVE AS HE IS TELLING THE STORY IN RETROSPECT AFTER HE HAS LIVED WITH THE CONSTANT GUILT OF THIS EVENT; THIS IS AN EXAMPLE OF POSTMODERNISM AS THE NARRATIVE IS FRAGMENTED AND THERE IS MEANING CREATED IN THE RELATIONSHIP BETWEEN THE NARRATIVES, AMIR’S NARRA- TIVE OF HASSAN’S RAPE IS A GOOD EXAMPLE OF THIS AS THE MEANING OF IT DEEPENS BY ADULT AMIR’S REASONING. AMIR’S ACTIONS HERE MEANS ‘THE KITE RUNNER’ IS A BILDUNGSROMAN, WHERE THE PROTAGONIST OF THE STORY’S ACTIONS ARE NOT HEROIC. DURING THE RAPE, AMIR’S NARRATIVE BREAKS OFF INTO MEMORIES RATHER THAN SPEAKING ABOUT THE EVENTS ACTUALLY TAKING PLACE. HE DIGRESSES INTO PAST MEMORIES AND EVENTS FROM HIS EARLIER CHILDHOOD, THIS INDICATES THE NARRATOR’S DIFFICULTY IN DEALING WITH WHAT’S HAPPENING IN FRONT OF HIM. IT’S ALMOST AS IF THERE ARE GAPS IN HIS ADULT MEMORY AS A RESULT OF HIS CHILDHOOD SELF DISTANCING HIMSELF FROM THE SITUATION. BY HAVING THE EVENTS TAKING PLACE IN AN ALLEY IS REPRESENTATIVE OF THE DARK NATURE OF THE EVENTS AND THE FACT THAT AMIR FAILS TO ENTER THE ALLEY SHOWS HIS UNWILLINGNESS TO DEAL WITH THE DARKER THINGS IN LIFE, IT ALSO AL- LOWS THE RAPE TO BECOME A SIDE EVENT, SOMETHING EASILY IGNORED AND NOT A PART OF MAIN- STREAM LIFE. CHAPTER 7 IS THE CLIMAX THE READER HAS BEEN WAITING FOR SINCE THE BEGINNING OF THE NOVEL. HOWEVER WHEN THE EVENT OCCURS WE REALISE IT IS A THIRD OF THE WAY THROUGH THE NOVEL AND IT ISN’T THE EVENT ITSELF BUT THE AFTERMATH OF IT THAT HAUNTS AMIR AS THE EVENTS ARE FAR FROM OVER. DESPITE FROM THIS, WE KNOW THAT CHAPTER 7 IS THE PIVOTAL CHAPTER AS Micaela Mossop WITHOUT THE EVENTS THAT TAKE PLACE HERE WOULD BE NO STORY TO TELL. THE IDEA THAT THE REPERCUSSION OF AMIR’S ACTIONS WILL AFFECT THE REST OF THE NOVEL IS REINFORCED AT THE END OF THE CHAPTER WHEN HE SOBS IN BABA’S ARMS WHICH INDICATES THE GAIN OF HIS FATHER’S AFFEC- TION WILL BE TAINTED BY HASSAN’S SACRIFICE.